#L series 70-200mm F2.8 lens

[petro1986]

Heard there was a Steam train coming though a nearby train station, so I wandered down and took some photos!

The steam engine is the "SR West Country class 21C146 Braunton" based out of Crewe, at full chat heading up the West Coast Main Line on it's way to Carlisle via Shap in Cumbria.

The Class 66 diesel loco called "Bescot LDC" was going about a busy day transporting it's tankers, and made for some good practice shooting! Not having spent allot of time photographing trains usually... Thanks to @transcendentally-smitten for suggesting and joining me, though we both are magnets for "eccentric" types who will make a conversation, knowing full well that you're probably wanting to spend time with your angelic tall boi! At least there were train station dogs to awww at!

A fun morning out with my partner in a train station, watching, hearing, and smelling the joys of locomotives on a bright Saturday morning!

You have a great weekend reader!

[newsmatters]

Canon has now produced 150 million RF and EF series lenses for EOS cameras

Canon has now produced 150 million RF and EF series lenses for EOS cameras

Today, Canon gets to celebrates a significant milestone with the announcement of the production of the company’s 150-millionth RF and EF series interchangeable lens for EOS cameras. The 150 millionth unit produced was an RF 70-200mm F2.8 L IS USM telephoto zoom lens. Laid end-to-end, all of the RF and EF lenses Canon has manufactured thus far would measure approximately 12,450 km in length –…

[whatisaccesscontrol]

Types of lenses for landscapes cameras

Canon Lenses for Landscapes Photography:

In order to get high quality pictures for your Colorado landscape photography, you need to get the best cameras for landscape photography, that fits you, here are some options:

Canon EF-S 10-22mm f / 3.5-4.5 USMCanon EF-S 10-22mm f3.5-4.5 USMAn ultra wide angle zoom with dynamic expression capability for all EOS cameras with EF-S mounts; exceptionally small and lightweight for maximum mobility.

Canon EF 24-105mm f / 4 L IS USMCanon EF 24-105mm f4 L IS USMWhen maneuverability is important and the quality of the lens is crucial, the EF 24-105mm f / 4 L IS USM series lens L stands out as a professional light standard objective.

Canon EF 24-70mm f / 4 L IS USMCanon EF 24-70mm f4 L IS USM A versatile L-series lens of 24-70 mm f / 4 with macro mode for magnification up to 0.7x. Ultrasonic AF provides a fast and almost silent focus. Aspherical and UD elements offer exceptional image quality.

Canon EF 17-40mm f / 4.0 L USM Canon EF 17-40mm f4.0 L USM The EF 17-40 mm f / 4 L USM model is an ultra-wide-angle Canon EF zoom lens. It is especially recommended for use with digital EOS SLR cameras with a conversion factor of focal length greater than 1.

Canon EF 70-200mm f / 4 L IS USM Canon EF 70-200mm f4 L IS USM High performance zoom telephoto lens. The EF 70-200 mm 1: 4 L USM offers excellent image quality in a variety of situations. Its compact and lightweight design make it the perfect travel companion.

Canon EF 24mm f / 1.4 L II USMCanon EF 24mm f1.4 L II USM The new EF 24mm f / 1.4L II is a high-performance angular lens, which thanks to its maximum aperture f / 1.4 and its UD elements and Aspherical, it offers exceptional image quality.

Nikon Lenses for landscape photography:

Nikon 18-200mm f / 3.5-5.6 G ED-IF AF-S VR DXNikon 18-200mm f3.5-5.6 G ED-IF AF-S VR DX Objective zoom 11.1 magnification of DX format very versatile and use extended. Equipped with the Nikon Vibration Reduction (VR II) system and the exclusive Silent Wave Motor (SWM), it offers unbeatable performance in low light and provides stable images both in the viewfinder and in the viewfinder. sensor; It also has a fast and silent autofocus.

NIKKOR 24mm f / 1.4G EDNIKKOR 24mm f1.4G EDO wide-angle lens NIKKOR, leader in its class, with ultrafast diaphragm. The superior optical design provides images of extraordinary sharpness, even in low light, and incorporates a Nikon nanocrystalline coating that greatly reduces ghost images and glare.

NIKKOR 16-35mm f / 4G ED VRNIKKOR 16-35mm f4G ED Ultra-wide-angle zoom lens from NIKKOR, designed for use with Nikon FX-format SLR cameras. The world's first ultra-wide-angle lens that includes vibration reduction and offers stunningly stable images on both the sensor and the viewfinder. The superior optical design offers extraordinary performance and provides excellent resolution and contrast in various conditions.

NIKKOR 14-24mm f / 2.8G EDNIKKOR 14-24mm f2.8 Extreme wide-angle wide-angle lens with a revolutionary optical design. This outstanding professional lens features a nanocrystalline coating that reduces the effects of phantom images and glare and provides sharpness at the edges that can exceed that of equivalent fixed focal length lenses.

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[karingottschalk]

https://www.sigma-global.com/en/news/2019/02/26/2042/

2019.02.26

Release of SIGMA Interchangeable Lenses for L-Mount

SIGMA Corporation is pleased to announce the launch of the Art line prime lens lineup for full-frame cameras in L-Mount. These L-Mount series lenses have achieved high-speed AF and are fully compatible with AF-C mode, in-camera image stabilization, and in-camera aberration correction. The lineup will consist of 11 prime lenses for full-frame cameras from SIGMA’s Art line covering from 14mm to 135mm currently available in other mounts, allowing the Art line, which pursues the highest performance, to be enjoyed on L-Mount cameras.

[Features] 1.　Optimized AF for L-Mount※１ With the AF drive control program and high-speed communication tuned for each lens, shooting at speed with high-precision AF control is achieved. The lenses also support the AF-C mode.

2.　Compatible with in-camera image stabilization※１ Compatible with in-camera image stabilization, the camera automatically detects the focal length of each lens and optimizes image stabilization performance.

3.　Data pre-loaded for compatibility with in-camera aberration correction※１ Fully compatible with in-camera aberration correction (corrections for peripheral illumination, chromatic aberrations, and distortion). By matching corrections to the optical characteristics of the lens, this function takes image quality to an even higher level.

4.　Native mount for a more rigid and stable feel Making the lens mount native provides a much more rigid and stable feel to the lens than using an adapter. Featuring a surface treatment to enhance strength, the brass bayonet mount offers a high-precision fit and exceptional durability. The mount connection area incorporates rubber sealing for dust- and splash-proof construction.

5.　Available SIGMA Mount Conversion Service※２ This service converts specifications of the mount of SIGMA lenses to that of a different camera body. Users can “tailor” their favorite lenses to the camera body if they plan to get a new one in the future. This allows continued use of their favorite lenses over the long term regardless of the camera system.

※1 Compatibility with each function depends on the functions available on each camera. ※2 The SIGMA Mount Conversion Service (chargeable) is different from a normal repair service. It is not available at stores. In order to apply for the service, please contact your nearest authorized SIGMA subsidiary or distributor.

SIGMA 14mm F1.8 DG HSM | Art Launch: TBD Case supplied

SIGMA 20mm F1.4 DG HSM | Art Launch: TBD Case supplied

SIGMA 24mm F1.4 DG HSM | Art Launch: TBD Case and Hood supplied

SIGMA 28mm F1.4 DG HSM | Art Launch: TBD Case and Hood supplied

SIGMA 35mm F1.4 DG HSM | Art Launch: TBD Case and Hood supplied

SIGMA 40mm F1.4 DG HSM | Art Launch: TBD Case and Hood supplied

SIGMA 50mm F1.4 DG HSM | Art Launch: TBD Case and Hood supplied

SIGMA 70mm F2.8 DG MACRO | Art Launch: TBD Case and Hood supplied

SIGMA 85mm F1.4 DG HSM | Art Launch: TBD Case and Hood supplied

SIGMA 105mm F1.4 DG HSM | Art Launch: TBD Case, Hood, Tripod Socket, and Protective Cover PT-21 supplied

SIGMA 135mm F1.8 DG HSM | Art Launch: TBD Case and Hood supplied

More about SIGMA Interchangeable Lenses for L-Mount

[Contact] For further information, please contact your local authorized SIGMA representative listed in the link below: https://www.sigma-global.com/en/about/world-network/

[Product information] SIGMA GLOBAL VISION:https://www.sigma-global.com/en/

Panasonic Lumix S1R 35mm mirrorless digital camera.

Sigma L-Mount Art lenses and EF-to-L-Mount adapter to be released early 2019

Sigma Mount Convertor MC-21 EF-mount to L-mount.

Sigma 14mm f/1.8 DG HSM | Art prime lens with L-mount.

Sigma 20mm f/1.4 DG HSM | Art prime lens with L-mount.

Sigma 24mm f/1.4 DG HSM | Art prime lens with L-mount.

Sigma 28mm f/1.4 DG HSM | Art prime lens with L-mount.

Sigma 35mm f/1.4 DG HSM | Art prime lens with L-mount.

Sigma 40mm f/1.4 DG HSM | Art prime lens with L-mount.

Sigma 50mm f/1.4 DG HSM | Art prime lens with L-mount.

Sigma 70mm f/2.8 DG Macro | Art prime lens with L-mount.

Sigma 85mm f/1.4 DG HSM | Art prime lens with L-mount.

Sigma 105mm f/1.4 DG HSM | Art prime lens with L-mount.

Sigma 135mm f/1.8 DG HSM | Art prime lens with L-mount.

Commentary

At the time of writing this article Sigma has the launch date of its first batch of L-Mount lenses marked as TBD but I hope the company can arrange to release them and the MC-21 Mount Convertor in its EF-to-L-Mount version at the same time Panasonic releases its Lumix DC-S1 and DC-S1R 35mm sensor mirrorless cameras.

No mirrorless hybrid camera system maker has managed to release its first cameras alongside an almost full collection of prime and zoom lenses, thus enabling early adopters to buy in and get to work almost immediately without the often years-long wait for the right focal lengths to finally appear.

Sigma’s first L-Mount prime lens release comprises a very usable set of optics, from 14mm up to 135mm, and it contains several that I consider essential as a documentary and portrait photographer and moviemaker.

Here is my ideal set of L-Mount lenses for a range of applications and genres:

Sigma 20mm f/1.4 DG HSM | Art

Sigma 28mm f/1.4 DG HSM | Art

Sigma 35mm f/1.4 DG HSM | Art

Sigma 40mm f/1.4 DG HSM | Art

Sigma 70mm f/2.8 DG MAcro | Art

Sigma 85mm f/1.4 DG HSM | Art

Sigma 105mm f/1.4 DG HSM | Art

Alternatively, one could purchase the MC-21 EF-to-L-Mount adapter and a set of Canon EF-Mount Sigma lenses for maximum versatility and use on a range of cameras via adapters.

Links

L-Mount

Lumix G | Experience – The new Panasonic Lumix S system – features in depth

Sigma Global Vision – Lenses

Sigma Global Vision – SIGMA MOUNT CONVERTER MC-21, The new mount converter enhancing  the extensibility of the L-Mount system.

Sigma Global Vision – Release of SIGMA Interchangeable Lenses for L-Mount

Help support ‘Untitled’

Clicking on the links below and purchasing through them or our affiliate accounts at B&H Photo Video, SmallRig or Think Tank Photo helps us continue our work for ‘Untitled’.

Atomos Ninja V 5″ 4K HDMI Recording Monitor – B&H

Panasonic DMW-BGS1 Battery Grip – B&H

Panasonic DMW-BLJ31 Rechargeable Lithium-Ion Battery (7.2V, 3100mAh) – B&H

Panasonic DMW-XLR1 XLR Microphone Adapter – B&H

Panasonic Lumix DC-S1 Mirrorless Digital Camera – B&H

Panasonic Lumix S 24-105mm f/4 Macro O.I.S. Lens – B&H

Panasonic Lumix S PRO 50mm f/1.4 Lens – B&H

Panasonic Lumix S PRO 70-200mm f/4 O.I.S. Lens – B&H

Sigma Global Vision: Release of SIGMA Interchangeable Lenses for L-Mount 2019.02.26 Release of SIGMA Interchangeable Lenses for L-Mount SIGMA Corporation is pleased to announce the launch of the Art line prime lens lineup for full-frame cameras in L-Mount.

[updatedc-blog]

New Post has been published on https://www.updatedc.com/2019/01/23/best-lenses-for-sony-a6400/

Best Lenses for Sony A6400

Best Lenses for Sony A6400 camera. Top rated highly Recommended lenses for your A6400 camera selected by our expert editors. The Sony A6400 camera is undoubtedly the best APS-C sensor mirorless camera of today since the camera carries world fastest AF system and the low-light shooting capability of the camera is even better than the Sony A6500 camera.

Sony A6400 Compatible lens list begin from Sony native lenses and then we move further to third party lenses

Sony A6400 Best Lenses Quick Jump Table

Best Standard Zoom Lens Sony 16-70mm F4 Lens Affordable Standard Zoom Lens  Sony E PZ 18-105mm F4 Lens  Best Telephoto Zoom Lens   Sony FE 70-200mm Lens  Best Affordable Zoom Lens  Sony 55-210mm zoom lens Best Wide angle Zoom Vlogging Lens  Sony E 10-18mm lens  Best Portraits Lens  Sony 50mm F1.8 OSS  Best Lens for Macro Shooting  Sony 30mm F3.5 lens  Best Ultra Wide-angle Lens  Sigma 19mm F2.8 EX DN Best Portrait Lens  Sigma 60mm F2.8 DN  Highest Rated Third Party Lens  Sigma 56mm F1.4 Lens

Take a look at the recommendation below and Do ask your Lens related questions at the comment box below.

16-70mm F4 Lens – Buy this lens from Amazon | B&H

Best Standard Zoom Lens for Sony A6400

The best Zoom lens for your Sony A6400 camera is 16-70mm F4 Lens. As you all know the lens is bit costly ($998) but one of the best lenses available for the camera right now.

One of the best thing you will notice while using the lens the lens produces very sharp images and features a constant F4 aperture throughout the zoom range. The build quality of the lens is very solid and the image stabilization of the lens is highly effective and works upto four shutter speed steps to benefit while handheld shooting. Btw, when you are buying a camera like Sony A64000 then you have to buy a lens with better OIS since the camera doesn’t have built-in image stabilization system.

The lens isn’t affordable but you will find the cost reasonable once you see the output from this lens. If you think the price is high then just imagine that you are buying a bunch of high quality prime lenses. It’s expensive but it’s a Zeiss OSS and you get what you pay for when quality is your priority.

Sony A6400 + 16-70mm F4 Sample Image

Lens focal Length : 29 mm Shutter speed : 1/100 sec. F number: F5.6 ISO: 320

Sony E PZ  18-105mm F4 Lens from Amazon | B&H

Affordable Standard Zoom Lens Option for Sony A6400

Sony E PZ 18-105mm f/4 G OSS Lens. Now as we know that it’s not possible for most of us to buy a $1K lens after getting the Sony A6400 camera. So, in this section we are talking about the affordable lenses that easily fits in your budget.

Affordable Option – If you don’t want to spend $1K cash on Sony 16-70mm f/4 ZA OSS Lens then you should go for Sony E PZ 18-105mm f/4 G OSS Lens.

Now, as you can easily notice the cost of the 18-105mm lens is just half compared to the 16-70mm lens. But there is also slight difference in image quality between the two

The lens cost approx 1/2 than the 16-70 F4 lens. But As we have said early the 16-70mm lens performance is equivalent to a series of prime lenses performed together and the difference between the two lens is visible when we test them together in Lab. The test result does shows the 16-70mm F4 is noticeably sharper than 18-105mm f/4 G OSS Lens.

The Good: Covers wide range | The Bad: Affordable

Sony 18-105mm F4 G OSS Lens Sample Photo

Buy Best Zoom Lens – Sony FE 70-200mm Lens from Amazon | B&H

Best Telephoto Zoom Lens for Sony A6400

We are talking about the best Zoom lens right now, so as usual we are not counting up the price factor in this recommendation. The best Zoom lens if Price isn’t a issue is the Sony FE 70-200mm F2.8. As you all know that’s a FE lens (fullframe lens).

The 70-200mm lens is one of the best lens that Sony ever made. For DSLR users I must say that this lens is as good as Canon 70-200mm F2.8 OR Nikkor 70-200mm F2.8 Since. The Sony A6500 and the 20-700mm F2.8 is a killer combo. A perfect lens for shooting sports, wildlife, wedding and Portraits. The Sony 70-200mm F2.8 lens focuses very fast when paired with Sony A6500 and delivers stunning images with excellent color and contrast without any noticeable Aberration/Distortion throughout the zoom range.

You Can also use  Both the 1.4x and the 2.0x teleconverters with this lens. The teleconverters maintain excellent image quality while boosting focal-length of the image upto 2X.

Sony A6400 + Sony FE 70-200mm F2.8 Lens Sample Image

Camera – Sony A6400 Lens name – FE 70-200mm F2.8 GM OSS Lens focal Length – 70 mm Shutter speed – 1/2500 sec. F number – F4 ISO – 500

Sony 55-210mm zoom lens B&H Store | Amazon.com

Best Affordable Zoom Lens ($348)

The Best option available under affordable price range. The Sony 55-210mm lens is a produce sharp result when used at bit higher aperture. The lens features very light-weight (compared to the DSLR zoom lenses I have used till now) and the lens bokeh quality isn’t so eye catching so don’t try to have portrait sessions with this lens.

The Good: Good general purpose zoom lens| The Bad: only zoom lens for E-mount

Sony 55-210mm zoom lens Sample Image

Shutter speed 1/2500 sec. F number F6.3 ISO 800

Buy Sony E 10-18mm lens from Amazon | B&H

Best Wide angle Zoom / Vlogging Lens for Sony A6500 Camera

Sony E 10-18mm f/4 OSS: Sony E 10-18mm f/4 OSS Lens is the best wide zoom lens for Sony A6500 camera.The 10-18mm lens is also very usable for vlogging purpose. The gives you a super wide coverage and help you when you want to do self Blog with the camera or to have some wide angle landscape shots.

The lens also features very effective image stabilization system. The lens feature constant F4 aperture and gives you super sharp output. The design of the lens is completely rock solid and made of of metal. The AF performance is very fast and accurate, the amount of image distortion lens produces is very well controlled.

The Good: The best wide angle zoom lens available for Sony A6500 | The Bad: None

  Buy Sony 50mm F1.8 Lens from Amazon | B&H

Best Portraits Lens for A6500

Sony E 50mm f/1.8 OSS Lens: The must have prime lens for every Sony APS-C Mirrorless shooters. The 50mm F1.8 portrait lens produces tack sharp images even at wide open aperture and if you are comparing it’s price from Canikon lenses than don’t forget the Sony 50mm F1.8 lens also features OSS (Optical Steady Shot) Image stabilization.

The Bokeh of the lens is very creamy and the lens features silent and FAST AF motor inside, usable for both still and video purpose. Highly recommended for Sony E-Mount users

The Good: Excellent lens for portraits | The Bad: Nothing

Sony A6400 + 50mm F1.8 OSS Sample Image

Buy this Lens from Amazon | B&H

Best Lens for Macro Shooting

Sony 30mm F3.5 lens is the perfect Macro Lens for Sony A6400. The lens captures tack sharp images at 1:1 proportion and features very well controlled Chromatic aberration. The lens features minimum focusing distance of 9.5 cm and the focal-length of the lens is 30cm. In general the standard Focal-Length of a normal macro DSLR lens varies between 60mm to 100mm, so with a 30mm macro lens you have to get closer to the subject to get a prefect shot. The lens is very durable and made up of aluminum alloy. But keep in mind you have to use tripod all the time to get perfect picture since the Lens and Camera both doesn’t have Image stabilization system.

The Good: Sharp images and creamy bokeh | The Bad: none

Sony 30mm F3.5 Sample Image

Shutter speed 1/13 sec. F number F4.5 Exposure program Aperture priority ISO 400

Best Third Party lenses for Sony A6400

Let’s talk about the best set of third party lenses for Sony A6400 camera. Before we start our recommendation, you should aware of that only few Sigma lenses support AF. Otherwise all the other third party lenses are  lenses are Manual Focused.

Buy Sigma 19mm F2.8 Lens from Amazon.com | B&H

Best Ultra Wide-angle Lens for Sony A6400 (Under $200)

Sigma 19mm F2.8 EX DN (AF) One of the best and affordable lenses available for Sony A6400 camera. The lens features F2.8 aperture and close focusing distance is just 20cm. So, this wide angle prime lens not only allow you to capture Landscapes and architecture shots. With this lens you can also do some creative portrait session with your clients and babies.

While shooting landscapes you should keep your aperture between F8 to F11 to capture optimal images with this lens. The lens also supports AutoFocus, and one of the best and affordable lens available under $200 price range.

Sigma 19mm F2.8 Sample Image

  Buy this lens from Amazon.com | B&H Store

Best Portrait Lens for Sony A6400 ($210)

Sigma 60mm F2.8 DN (AF): Best and affordable Portrait lens available for Sony A6400 camera. The lens very sharp at center and gives optimum performance at F5.6. One of the best third party lens for Sony APS-C Mirrorless cameras I have ever used. The AF is not as good as Sony native lenses, with this lens you are getting usable and accurate AF.

Let me remind you that you before you buy this lens, the lens doesn’t have built-in AF. As well as you Sony A6400 camera doesn’t have built-in Image stabilization.

LENS : 60mm F2.8 DN SHUTTER SPEED : 1/500 APERTURE VALUE : F2.8 FOCAL LENGTH : 60mm PHOTOGRAPHER : Koich Isomura

Buy Sigma 56mm Lens from Amazon.com | B&H Store

Highest Rated Third Party Lens for Sony A6400

Sigma 56mm f/1.4 DC DN Contemporary Lens for FE / E Mount: The lens we are talking about is one of the best and highest rated Third Party lens of Sony APS-C Mirrorless camera. If you have used Canon 50mm F1.2 Lens with Canon Fullframe DSLRs camera then you should buy this lens. The lens gives you exactly same image quality as of Canon L series Lenses and above that the AF is now more accurate and the overall system is more compact. The Sigma 50mm F1.4 weather sealed lens features amazing optics inside that delivers ultimate image quality you may ever experience with Sony 50mm portrait lenses. If you are a professional portrait shooter then you must have this lens. Keep in mind the 1.5X crop factor when using the lens with APS-C Mirrorless camera.

Sigma 56mm F1.4 Lens Sample Image

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DIGITAL GOJA IS A CANON AUTHORIZED DEALER. 1 YEAR LIMITED WARRANTY.

Bundle includes: – Canon RF 70-200mm f/2.8L IS USM Lens – Altura Photo Venture Camera Bag – SanDisk 64GB and 32GB C10 Ultra UHS-I SDXC Memory Cards – Altura Photo Rapid Fire Neck Strap – Altura Photo Mini Tripod with Pistol Grip – Altura Photo Rapid Fire Wrist Strap – Altura Photo Hard-Shell Case – Altura Photo Cleaning Kit – 3 Sizes MagicFiber Microfiber Lens Pouch

Canon EF 70-200mm f/2.8L IS II USM Lens Complete the RF F2.8 lens trinity with the addition of the RF 70-200mm F2.8 L IS USM lens. Designed to complement the EOS R system, this impressive L-series lens offers a telephoto zoom focal length that helps you get closer to faraway subjects. As Canon’s lightest and shortest 70-200mm f/2.8 lens^ ever, the RF 70-200mm F2.8 L IS USM is engineered to make traveling more comfortable, offering a compact and portable design that’s easy to pack and carry wherever you go. Coupled with a large f/2.8 maximum aperture for sharp, bright images and videos, even in low-light settings, Canon’s Nano USM technology for fast and virtually silent AF and up to 5 stops* of shake correction, the RF 70-200mm F2.8 L IS USM will quickly become a favorite among portrait, wedding and sports photographers.

Features: – EF-Mount Lens/Full-Frame Format – Aperture Range: f/2.8 to f/32 – One Fluorite Element & Five UD Elements – Super Spectra Coating

Make sure this fits by entering your model number. INCLUDES: Canon RF 70-200mm f/2.8L IS USM Lens + Altura Photo Venture Camera Bag + SanDisk 64GB and 32GB C10 Ultra UHS-I SDXC Memory Cards + Altura Photo Rapid Fire Neck Strap + Altura Photo Mini Tripod with Pistol Grip + Altura Photo Rapid Fire Wrist Strap + Altura Photo Hard-Shell Case + Altura Photo Cleaning Kit + 3 Sizes MagicFiber Microfiber Lens Pouch OFFERING versatility and long reach in a notably sleek form factor, the Canon RF 70-200mm f/2.8L IS USM is a flexible telephoto zoom characterized by its bright design and advanced optics. The constant f/2.8 maximum aperture suits working in difficult lighting conditions and also enables greater control over depth of field. COMPATIBLE with Canon Mirrorless Cameras with RF mount, including Canon EOS R and Canon EOS RP Full Frame Cameras. CANON accessories included: Canon E-77 II 77mm Lens Cap + Lens Dust Cap RF + ET-83FW III Lens Hood + LP1424 Lens Case + Tripod Mount Ring E WIII CANON AUTHORIZED DEALER. Includes Canon USA Warranty. [amz_corss_sell asin=”B082BH4WN7″]

Canon RF 70-200mm f/2.8L is USM Lens with Altura Photo Complete Accessory and Travel Bundle DIGITAL GOJA IS A CANON AUTHORIZED DEALER. 1 YEAR LIMITED WARRANTY. Bundle includes: - Canon RF 70-200mm f/2.8L IS USM Lens…

[anycontentposter]

Our favorite gear, rewarded: DPReview Awards 2019

DPReview Awards 2019

If 2018 was the year that full-frame mirrorless went mainstream, 2019 was the year when all of the major manufacturers really doubled-down on their mirrorless strategies. Canon pumped out a series of very high quality RF lenses, alongside the world's cheapest full-frame mirrorless camera. Nikon went all-in on its range of affordable F1.8 primes, and Sony pulled out all the stops - yet again - in the a7R IV.

Meanwhile, Olympus threw all of its technological know-how into the sports-oriented OM-D E-M1 X, Fujifilm reinvented medium-format with the GFX 100 and Ricoh's GR III and Leica's Q2 offered a welcome refresh for fans of fixed-focal length compacts.

That's a lot, and it's only a small taste of what happened this year. At the end of every year we get together as a team to recognize the standout products of the past 12 months in our annual DPReview Awards. Take a look through the slides above to find out which products made our list of the best gear of 2019!

Best accessory Shortlist: DJI Osmo pocket DJI Ronin SC Gnarbox 2.0 SSD Peak Design Travel Tripod Runner up: Peak Design Travel Tripod

The role of photography accessories is to play support to your creative endeavors. That can mean support in the traditional sense, like a well-designed travel tripod or 3-axis gimbal rig. Or it can mean support in the form of peace of mind, like a rugged file back-up device.

Our runner-up for best photography accessory, the Peak Design Travel Tripod, falls into the former category. Travel tripods aren't new, but Peak Design has managed to radically rethink the concept to create a package that's significantly more compact than the competition and just as stable, if not more so. Its Arca Swiss-compatible, dual-locking ball head in particular is worth calling out for its clever low-profile design. Available in both aluminum and carbon fiber, this is the travel tripod we'll likely be reaching for in 2020, whenever space is tight.

Read more about the Peak Design Travel Tripod

Winner: GNARBOX 2.0 SSD

The Gnarbox 2.0 brings calm to the often chaotic world of photography. It's the friend in the field you always wanted: a rugged (weather, dust and impact-resistant) SSD (available in 256GB, 512GB and 1TB) with built-in SD reader and super-fast transfer speeds (up to 350MB/s). It's there to protect all your precious data until you get it home for a full backup.

One-touch copying and an info LCD make it effortless to start transferring and confirm files have been properly duplicated. And for those eager to get ahead on their edits, Gnarbox will pair with a smart device so that you can sort and tag (using Photo Mechanic's image engine). But that's not all: Gnarbox also has swappable batteries and can even be used to charge other devices via a Micro-USB port. It'll also play nice with Apple's iPad Pro, with support for programs like Adobe Lightroom and Affinity Photo, when connected via its USB-C port. What more could you ask for?

Read more about the GNARBOX 2.0 SSD

Best smartphone camera Shortlist: Apple iPhone 11 Pro Google Pixel 4 Huawei P30 Pro Samsung Galaxy S10 5G Runner up: Apple iPhone 11 Pro

The iPhone 11 Pro is a significant step forward for Apple, and from a pure experience standpoint, is the nicest smartphone camera to use today. Its bright screen combined with HDR playback of photos makes the on-device experience of shooting and enjoying photos industry-leading. And unlike any other smartphone camera to-date, iPhones since the iPhone X utilize the wide P3 color space, meaning more life-like color capture and rendition.

A new ultra-wide lens allows for dramatic perspectives, and wide angle portrait mode - utilizing the main camera module - makes it easy to shoot more intimate perspectives of your loved ones and pets, with better image quality than the standard portrait mode offers. Editing photos, depth effects, and video is pleasing thanks to the Photos app updates, and clever features like 'capture outside the frame' offer creative uses of the phone's three lenses. Video quality is superb, with HDR capture up to 4K/60p.

We have some reservations over the warm and green-shifted colors, overly-processed faces from semantic rendering choices, significant lag in portrait mode, and image quality artifacts including banding, aggressive noise reduction and over-sharpening, but as an all-rounder, the iPhone 11 Pro is hard to beat.

Read more about the Apple iPhone 11 Pro

Winner: Google Pixel 4

The Pixel 4 offers compelling still image quality. If you shoot Night Sight - even during daylight hours - you'll be rewarded with some of the best detail retention and balanced noise reduction we've seen from a smartphone. It only gets better in Raw, since the DNGs produced by the Pixel 4 are the result of aligning and merging multiple frames. A new astrophotography mode is not just cool but inspiring, and also benefits any nighttime scene where longer exposures can be used. The combination of super-res zoom and a new telephoto module make 'zoomed in' photos better than many peers. And unlike the iPhone, you can continue to use the telephoto module in dim light.

New 'dual exposure controls' allow you to fine tune the 'look' of the resulting HDR image in real-time. Portrait mode has been improved to yield bokeh similar to what you'd expect from ILCs, with fewer depth map errors and virtually no shutter lag. As such, the Pixel 4 is truly an enthusiast's smartphone camera. We have reservations over its video quality, display, as well as certain metering and image processing choices, but its strong core competency in stills makes it our winner.

Read more about the Google Pixel 4

Best zoom lens Shortlist: Canon RF 70-200mm F2.8L IS USM Canon RF 24-70mm F2.8L IS USM Nikon Z 24-70mm F2.8 S Panasonic Leica DG Vario-Summilux 10-25mm F1.7 ASPH Sony E 16-55mm F2.8 G Runner-up: Nikon Z 24-70mm F2.8 S

Every year we struggle to narrow down the number of lenses released to a shortlist of just four or five. This year saw a lot of action in the lens space, with both Canon and Nikon putting considerable energy into building out their native mirrorless lens lineup, and Sigma, Sony and Tamron doing the same.

One of the zoom lenses that has most impressed us this year is Nikon's Z 24-70mm F2.8 S. Built for use in difficult conditions, the Z 24-70mm is tough and weather-sealed, but more than that, it's optically outstanding. Sharp, virtually aberration-free and extremely flare-resistant, the Z 24-70mm F2.8 really lets Z7 shooters make the most out of their camera's resolution, for anything from landscapes to portraiture.

Read more about the Nikon Z 24-70mm F2.8 S

Winner: Canon RF 70-200mm F2.8L IS USM

We really, really like the Canon RF 70-200mm F2.8L IS USM. It's small (at 70mm), relatively lightweight, autofocus is lightning fast and silent, and its optical image stabilization system is excellent.

The 70-200mm represents the first time we've seen Nano USM technology incorporated in fast L-series glass, and the increase in focus speed is dramatic compared to ring-type USM on EF lenses. But perhaps the most impressive thing about this lens is its optical quality. Contrast and sharpness are class-leading wide open at all focal lengths, bokeh is smooth with no distracting patterns, and both longitudinal and lateral forms of chromatic aberration are very well controlled.

This is the most impressive 70-200mm F2.8 lens we've ever seen, in a surprisingly compact form factor, and a worthy winner of our award for best zoom lens of 2019.

Read more about the Canon RF 70-200mm F2.8L IS USM

Best prime lens Shortlist: Tamron SP 35mm F1.4 Di USD Sigma 35mm F1.2 DG DN | Art Sony FE 135mm F1.8 GM Nikon Nikkor Z 85mm F1.8 S Runner-up: Sony FE 135mm F1.8 GM

There were so many great prime lenses released this year, and inevitably, it's near-impossible to reduce the list to just four. This 'shortlist' could have been at least twice as long and we would still have had to omit some great lenses. But the primes listed above represent our favorites of 2019, not only because of their optical quality, but also their versatility and overall value for money.

Among the most impressive lenses of any type released this year was the Sony FE 135mm F1.8 GM. Designed for portrait fans, the 135mm F1.8 is stunningly sharp and delivers beautiful images at its widest apertures. It's virtually aberration free, and is the fastest-to-focus lens of its kind. Sony's optical science has improved by leaps and bounds in recent years and the FE 135mm F1.8 is an excellent example of the company's current state-of-the-art. While 135mm isn't necessarily an everyday focal length, the Sony FE 135mm F1.8 GM is arguably the best option on the market right now for portrait shooters.

Read more about the Sony FE 135mm F1.8 GM

Winner: Nikon Nikkor Z 85mm F1.8 S

Nikon's S-series prime lenses for the Z system have impressed us this year with their performance, not to mention their versatility and value. All sub-$1000 and all relatively small and lightweight, the best of Nikon's new F1.8 options outperform many faster lenses that cost considerably more.

The Z 85mm F1.8 S is a great example. Sharp, virtually aberration-free and still nicely portable, this portrait prime isn't as fast as some of its competitors, or as polished as (say) the Sony FE 135mm F1.8 which takes the runner-up spot, but it's a supremely practical, useful lens. With its smooth bokeh, the Z 85mm F1.8 S is, of course, a fantastic portrait lens for Z6 and Z7 shooters, and a nifty 135mm equivalent on the APS-C Z50. But its size and weight, plus its superb sharpness make it just as useful for landscape and candid work.

Read more about the Nikon Nikkor Z 85mm F1.8 S

Best compact/fixed lens camera Shortlist: Canon PowerShot G5 X Mark II Leica Q2 Ricoh GR III Sony Cyber-shot RX100 VII Runner-up: Sony Cyber-shot RX100 VII

This is always a tricky category, spanning multiple sensor formats and including both zoom and fixed focal length lenses. This year saw the release of some very impressive - and very different - compact / fixed-lens compact cameras, from the high-end Leica Q2 to the more consumer-friendly Canon PowerShot G5 X Mark II.

Despite their different shapes, sizes and prices, all of the cameras in this section cater to the same basic need: high quality imaging, in a compact form factor. Our runner-up this year is Sony's best RX100-series camera yet. A small, powerful zoom with a high-quality EVF, great video and formidable autofocus, the RX100 VII is a near-perfect camera for travel and everyday photography and video. Inevitably it's not cheap, but this kind of technology never is.

Read more about the Sony Cyber-shot RX100 VII

Winner: Ricoh GR III

First announced in 2018, the GR III was released this year and quickly became one of our favorite compact cameras. Small and lightweight, but with a stabilized sensor and capable of stunning image quality the GR III is - like the Sony Cyber-shot RX100 VII - a wonderful camera for travel and everyday photography.

Yes, the lens is a fixed 28mm equivalent. No, the video mode isn't great, but this is a pure photography camera, capable of getting you images that larger, heavier or more complicated models simply won't.

Read more about the Ricoh GR III

Best consumer stills / video camera Shortlist: Fujifilm GFX 100 Panasonic Lumix DC-S1 Panasonic Lumix DC-S1H Sony Cyber-shot RX100 VII Runner up: Sony Cyber-shot RX100 VII

While the RX100-series has always been primarily about stills photography, Sony has evolved its range of high-quality 1-inch sensor compacts into powerful video tools, as well. The Mark VII captures oversampled UHD 4K video, Full HD at up to 120 fps and lower resolution video with a top frame rate of almost 1000 fps. Unlike its predecessor, the RX100 VII has a built-in mic input.

In short: the RX100 VII offers excellent 4K video, very good autofocus and a handy built-in finder, making it exceptionally versatile for photographers that need to capture both stills and movie footage.

Read more about the Sony Cyber-shot RX100 VII

Winner: Panasonic Lumix DC-S1

It might seem odd having both the Panasonic Lumix DC-S1 and S1H on the same list, for best stills / video hybrid camera and have the S1 beat its more video-centric stablemate, but this is precisely the point. With the S1H in the pipeline, Panasonic didn't need to make the S1 as good for video as it did, and it certainly didn't need to make it even better with a paid firmware update.

With the paid update, the S1 becomes a formidable camera for video, even to the extent that the costlier S1H may prove unnecessary for many filmmakers. We've done a lot of shooting this year on the S1 and it's an impressive machine from a manufacturer that perhaps more than any other, really knows how to do video right.

Read more about the Panasonic Lumix DC-S1

Best entry-level ILC Shortlist: Canon EOS M200 Fujifilm X-A7 Olympus PEN E-PL10 Sony a6100 Runner-up: Fujifilm X-A7

While a lot of attention gets paid to the high-end and professional market segments, often the most important cameras in a manufacturer's lineup are at the entry-level. The reason they're so important is that these are the products which - it is hoped - will attract new customers into a system.

The Fujifilm X-A7 is a significant camera for Fujifilm, and a great all-round option for beginner photographers in general. Significant for Fujifilm because it's the company's first entry-level offering that has really impressed us, and a great entry-level camera because it does exactly what a camera aimed at first-time buyers and smartphone upgraders should. It's simple, streamlined, reliable and responsive, and can easily transition between stills and high-quality video.

Read more about the Fujifilm X-A7

Winner: Canon EOS M200

If there's one thing Canon knows how to do it's make an attractive, sensibly-designed entry-level ILC. The EOS M200 is the company's latest, and while it doesn't represent a massive upgrade compared to the M100, the changes are very welcome including one change in particular - Eye Detect autofocus. Assuming that a lot of us (and arguably most beginners) will take a lot of pictures of friends and family, the addition of eye detection to the M200's autofocus mode really does make a big difference. Canon has also added 4K video capture and 'CRaw', for Raw format shooting without the massive file sizes.

Overall, the Canon EOS M200 doesn't bring much to the table which is genuinely 'new' but its combination of features, easy to operate design, and reliable image quality make it a great entry-level ILC, and our favorite of 2019.

Read more about the Canon EOS M200

Best midrange ILC Shortlist: Canon EOS M6 Mark II Fujifilm X-T30 Nikon Z50 Sony a6600 Runner-up: Nikon Z50

We define 'midrange' cameras as those transitional models between entry-level and enthusiast / pro which need to be able to work for inexperienced and more seasoned photographers alike.

Nikon's first APS-C format mirrorless camera is also one of its most user-friendly. Intended to be picked up by first-time ILC buyers and smartphone upgraders, the Z50 is designed to be simple and straightforward to use, but isn't 'dumbed down'. Featuring a high-quality electronic viewfinder, twin control dials and photographer-friendly ergonomics, the Z50 is a camera that leaves plenty of room for a beginner to experiment and grow creatively.

Read more about the Nikon Z50

Winner: Canon EOS M6 Mark II

Canon has been making good, solid interchangeable lens cameras for a really long time, and this experience shows in products like the EOS M6 Mark II. A really great camera doesn't need to do everything better than its competitors, it just has to do everything well enough, without getting in the way of your creativity.

The EOS M6 Mark II reaffirms Canon’s commitment to its compact, mirrorless EF-M system. After years of competent but usually beginner-focused models, the M6 II comes out swinging as a convincing option for more advanced users. Its new 32.5MP sensor has impressive resolution and dynamic range, the 14 fps maximum burst speed with autofocus is competitive, and its 4K video uses the full width of the sensor.

It doesn’t hands-down beat any of its competitors in any specific area, but as an all-around package, the M6 Mark II easily won us over for best midrange ILC of 2019.

Read more about Canon's EOS M6 Mark II

Best high-end ILC Shortlist: Fujifilm GFX 100 Olympus OM-D E-M1X Panasonic Lumix DC-S1R Sony a7R IV Runner-up: Panasonic Lumix DC-S1R

The Lumix DC-S1R will tick a ton of boxes for a ton of photographers, which is all the more impressive given that it’s Panasonic’s first full-frame offering (alongside the lower-resolution DC-S1). It’s built like a tank and all of the buttons and dials feel like they’re in just the right place.

The 47MP sensor at the heart of the S1R isn’t class-leading at this point, but it’s still capable of producing excellent image quality in almost any situation. Unfortunately, the DC-S1R falls somewhat short in terms of autofocus and tracking. While it can drive focus very quickly using Panasonic’s DFD technology, it just can’t quite keep up with competitors’ on-sensor phase detection systems for accuracy when photographing moving subjects.

Read more about the Panasonic Lumix DC-S1R

Winner: Sony a7R IV

The fourth iteration of Sony’s high-resolution mirrorless full-frame camera is the most capable, well-rounded interchangeable lens camera on the market today. It shoots 60.2MP files, offers industry-leading autofocus tracking, is capable of 10fps continuous bursts and shoots the best 4K video of any high-resolution camera you can buy. Plus, Sony claims weather-sealing has been improved, battery life is well above average and ergonomic tweaks have made it more comfortable and enjoyable to use than previous models.

The a7R IV is a camera that you really can shoot just about anything with, from action sports to billboard-ready landscapes, and because of that, it earns the distinction of being our high-end ILC of the year.

Read more about the Sony a7R IV

DPReview innovation award Shortlist: Canon RF 70-200mm F2.8L IS USM Fujifilm GFX 100 Olympus OM-D E-M1X Peak Design Travel Tripod Runner-up: Canon RF 70-200mm F2.8L IS USM

Optically the RF 70-200mm F2.8L IS USM is stunning, but it's also a marvel of engineering. At its short end, it collapses down to a barrel size not much longer than that of the RF 24-70mm F2.8L IS USM. At 1070g, it's 26% lighter than its EF equivalent, and feels surprisingly light in one's hands, and well-balanced on an EOS R body. Optical image stabilization offers an impressive CIPA rating of 5 stops. Combined with dual-sensing IS on EOS R bodies, you can expect tack sharp handheld shots on the long end at shutter speeds as low as 1/13s.

If that's not innovative, we don't know what is.

Read more about the Canon RF 70-200mm F2.8L IS USM

Winner: Fujifilm GFX 100

While very little about the GFX 100 is new or unique to this model, what counts is how all the ingredients are mixed together. The addition of in-camera stabilization, impressive video capture and hybrid on-sensor PDAF to the medium format world makes the Fujifilm GFX 100 among the most capable and most innovative cameras out there.

Fujifilm has been working hard to democratize digital medium format for a couple of years, but with the 100 megapixel GFX 100, the company completely changed our understanding of what a medium format camera could be.

Read more about the Fujifilm GFX 100

DPReview product of the year, 2019 Shortlist: Apple iPhone 11 Pro Canon RF 70-200mm F2.8L IS USM Fujifilm GFX 100 Sony a7R IV Runner-up: Fujifilm GFX 100

As we wrote in the previous slide, the GFX 100 really did turn our idea of what a medium format camera could do on its head. While the MSRP of almost ten grand puts it out of reach to most non-professional photographers, there is an audience out there for cameras like this, and Fujifilm has done a great job of catering to them.

Pro wedding and event photographers, portrait and lifestyle shooters, and even a certain type of videographer have kept the GFX 100 on more or less continuous backorder since it was released. You may not need 100MP, but some people do. And the GFX 100, with Fujifilm's range of excellent GF lenses, makes 100MP shooting practical and enjoyable.

Read more about the Fujifilm GFX 100

Winner: Sony Alpha a7R IV

Sony is one of the more divisive brands on our site, partly because of a perception that it gets more attention than other manufacturers. This perception stems from two factors: firstly, Sony has released an astonishing number of high-end products in the past handful of years. Secondly, they have tended to be very good.

Taken as a whole, the a7R IV is Sony's best mirrorless camera yet. The enthusiast-focused a7 III continues to top the best-seller lists but if you want the highest resolution, the best autofocus system and some of the best video features on the market (not just in Sony's own product lineup) the a7R IV is where it's at. A true 'flagship', the a7R IV has undoubtedly benefited this year from no direct competition from Canon or Nikon, but it will take an unusually good product from either manufacturer to make the a7R IV look uncompetitive in 2020.

Read more about the Sony a7R IV

Read more about this at dpreview.com

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Types of lenses for landscape photography

Canon Lenses for Landscapes Photography:

In order to get high-quality pictures for your Colorado landscape photography, you need to get the best cameras for landscape photography, that fits you, here are some options:

Canon EF-S 10-22mm f / 3.5-4.5 USMCanon EF-S 10-22mm f3.5-4.5 USMAn ultra-wide-angle zoom with dynamic expressive capability for all EOS cameras with EF-S mounts; exceptionally small and lightweight for maximum mobility.

Canon EF 24-105mm f / 4 L IS USMCanon EF 24-105mm f4 L IS USMWhen maneuverability is important and the quality of the lens is crucial, the EF 24-105mm f / 4 L IS USM series lens L stands out as a professional light standard objective.

Canon EF 24-70mm f / 4 L IS USMCanon EF 24-70mm f4 L IS USM A versatile L-series lens of 24-70 mm f / 4 with macro mode for magnification up to 0.7x. Ultrasonic AF provides a fast and almost silent focus. Aspherical and UD elements offer exceptional image quality.

Canon EF 17-40mm f / 4.0 L USM Canon EF 17-40mm f4.0 L USM The EF 17-40 mm f / 4 L USM model is an ultra-wide-angle Canon EF zoom lens. It is especially recommended for use with digital EOS SLR cameras with a conversion factor of focal length greater than 1.

Canon EF 70-200mm f / 4 L IS USM Canon EF 70-200mm f4 L IS USM High performance zoom telephoto lens. The EF 70-200 mm 1: 4 L USM offers excellent image quality in a variety of situations. Its compact and lightweight design make it the perfect travel companion.

Canon EF 24mm f / 1.4 L II USMCanon EF 24mm f1.4 L II USM The new EF 24mm f / 1.4L II is a high-performance angular lens, which thanks to its maximum aperture f / 1.4 and its UD elements and Aspherical, it offers exceptional image quality.

Nikon Lenses for landscape photography:

Nikon 18-200mm f / 3.5-5.6 G ED-IF AF-S VR DXNikon 18-200mm f3.5-5.6 G ED-IF AF-S VR DX Objective zoom 11.1 magnification of DX-format very versatile and use extended. Equipped with the Nikon Vibration Reduction (VR II) system and the exclusive Silent Wave Motor (SWM), it offers unbeatable performance in low light and provides stable images both in the viewfinder and in the viewfinder. sensor; It also has a fast and silent autofocus.

NIKKOR 24mm f / 1.4G EDNIKKOR 24mm f1.4G EDO wide-angle lens NIKKOR, leader in its class, with ultrafast diaphragm. The superior optical design provides images of extraordinary sharpness, even in low light, and incorporates a Nikon nanocrystalline coating that greatly reduces ghost images and glare.

NIKKOR 16-35mm f / 4G ED VRNIKKOR 16-35mm f4G ED Ultra-wide-angle zoom lens from NIKKOR, designed for use with Nikon FX-format SLR cameras. The world's first ultra-wide-angle lens that includes vibration reduction and offers stunningly stable images on both the sensor and the viewfinder. The superior optical design offers extraordinary performance and provides excellent resolution and contrast in various conditions.

NIKKOR 14-24mm f / 2.8G EDNIKKOR 14-24mm f2.8 Extreme wide-angle lens with a revolutionary optical design. This outstanding professional lens features a nanocrystalline coating that reduces the effects of phantom images and glare and provides sharpness at the edges that can exceed that of equivalent fixed focal length lenses.

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Types of lenses for landscape photography

Canon Lenses for Landscapes Photography:

In order to get high-quality pictures for your Colorado landscape photography, you need to get the best cameras for landscape photography, that fits you, here are some options:

Canon EF-S 10-22mm f / 3.5-4.5 USMCanon EF-S 10-22mm f3.5-4.5 USMAn ultra-wide-angle zoom with dynamic expressive capability for all EOS cameras with EF-S mounts; exceptionally small and lightweight for maximum mobility.

Canon EF 24-105mm f / 4 L IS USMCanon EF 24-105mm f4 L IS USMWhen maneuverability is important and the quality of the lens is crucial, the EF 24-105mm f / 4 L IS USM series lens L stands out as a professional light standard objective.

Canon EF 24-70mm f / 4 L IS USMCanon EF 24-70mm f4 L IS USM A versatile L-series lens of 24-70 mm f / 4 with macro mode for magnification up to 0.7x. Ultrasonic AF provides a fast and almost silent focus. Aspherical and UD elements offer exceptional image quality.

Canon EF 17-40mm f / 4.0 L USM Canon EF 17-40mm f4.0 L USM The EF 17-40 mm f / 4 L USM model is an ultra-wide-angle Canon EF zoom lens. It is especially recommended for use with digital EOS SLR cameras with a conversion factor of focal length greater than 1.

Canon EF 70-200mm f / 4 L IS USM Canon EF 70-200mm f4 L IS USM High performance zoom telephoto lens. The EF 70-200 mm 1: 4 L USM offers excellent image quality in a variety of situations. Its compact and lightweight design make it the perfect travel companion.

Canon EF 24mm f / 1.4 L II USMCanon EF 24mm f1.4 L II USM The new EF 24mm f / 1.4L II is a high-performance angular lens, which thanks to its maximum aperture f / 1.4 and its UD elements and Aspherical, it offers exceptional image quality.

Nikon Lenses for landscape photography:

Nikon 18-200mm f / 3.5-5.6 G ED-IF AF-S VR DXNikon 18-200mm f3.5-5.6 G ED-IF AF-S VR DX Objective zoom 11.1 magnification of DX-format very versatile and use extended. Equipped with the Nikon Vibration Reduction (VR II) system and the exclusive Silent Wave Motor (SWM), it offers unbeatable performance in low light and provides stable images both in the viewfinder and in the viewfinder. sensor; It also has a fast and silent autofocus.

NIKKOR 24mm f / 1.4G EDNIKKOR 24mm f1.4G EDO wide-angle lens NIKKOR, leader in its class, with ultrafast diaphragm. The superior optical design provides images of extraordinary sharpness, even in low light, and incorporates a Nikon nanocrystalline coating that greatly reduces ghost images and glare.

NIKKOR 16-35mm f / 4G ED VRNIKKOR 16-35mm f4G ED Ultra-wide-angle zoom lens from NIKKOR, designed for use with Nikon FX-format SLR cameras. The world's first ultra-wide-angle lens that includes vibration reduction and offers stunningly stable images on both the sensor and the viewfinder. The superior optical design offers extraordinary performance and provides excellent resolution and contrast in various conditions.

NIKKOR 14-24mm f / 2.8G EDNIKKOR 14-24mm f2.8 Extreme wide-angle lens with a revolutionary optical design. This outstanding professional lens features a nanocrystalline coating that reduces the effects of phantom images and glare and provides sharpness at the edges that can exceed that of equivalent fixed focal length lenses.

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Types of lenses for landscape photography

Canon Lenses for Landscapes Photography:

In order to get high-quality pictures for your Colorado landscape photography, you need to get the best cameras for landscape photography, that fits you, here are some options:

Canon EF-S 10-22mm f / 3.5-4.5 USMCanon EF-S 10-22mm f3.5-4.5 USMAn ultra-wide-angle zoom with dynamic expressive capability for all EOS cameras with EF-S mounts; exceptionally small and lightweight for maximum mobility.

Canon EF 24-105mm f / 4 L IS USMCanon EF 24-105mm f4 L IS USMWhen maneuverability is important and the quality of the lens is crucial, the EF 24-105mm f / 4 L IS USM series lens L stands out as a professional light standard objective.

Canon EF 24-70mm f / 4 L IS USMCanon EF 24-70mm f4 L IS USM A versatile L-series lens of 24-70 mm f / 4 with macro mode for magnification up to 0.7x. Ultrasonic AF provides a fast and almost silent focus. Aspherical and UD elements offer exceptional image quality.

Canon EF 17-40mm f / 4.0 L USM Canon EF 17-40mm f4.0 L USM The EF 17-40 mm f / 4 L USM model is an ultra-wide-angle Canon EF zoom lens. It is especially recommended for use with digital EOS SLR cameras with a conversion factor of focal length greater than 1.

Canon EF 70-200mm f / 4 L IS USM Canon EF 70-200mm f4 L IS USM High performance zoom telephoto lens. The EF 70-200 mm 1: 4 L USM offers excellent image quality in a variety of situations. Its compact and lightweight design make it the perfect travel companion.

Canon EF 24mm f / 1.4 L II USMCanon EF 24mm f1.4 L II USM The new EF 24mm f / 1.4L II is a high-performance angular lens, which thanks to its maximum aperture f / 1.4 and its UD elements and Aspherical, it offers exceptional image quality.

Nikon Lenses for landscape photography:

Nikon 18-200mm f / 3.5-5.6 G ED-IF AF-S VR DXNikon 18-200mm f3.5-5.6 G ED-IF AF-S VR DX Objective zoom 11.1 magnification of DX-format very versatile and use extended. Equipped with the Nikon Vibration Reduction (VR II) system and the exclusive Silent Wave Motor (SWM), it offers unbeatable performance in low light and provides stable images both in the viewfinder and in the viewfinder. sensor; It also has a fast and silent autofocus.

NIKKOR 24mm f / 1.4G EDNIKKOR 24mm f1.4G EDO wide-angle lens NIKKOR, leader in its class, with ultrafast diaphragm. The superior optical design provides images of extraordinary sharpness, even in low light, and incorporates a Nikon nanocrystalline coating that greatly reduces ghost images and glare.

NIKKOR 16-35mm f / 4G ED VRNIKKOR 16-35mm f4G ED Ultra-wide-angle zoom lens from NIKKOR, designed for use with Nikon FX-format SLR cameras. The world's first ultra-wide-angle lens that includes vibration reduction and offers stunningly stable images on both the sensor and the viewfinder. The superior optical design offers extraordinary performance and provides excellent resolution and contrast in various conditions.

NIKKOR 14-24mm f / 2.8G EDNIKKOR 14-24mm f2.8 Extreme wide-angle lens with a revolutionary optical design. This outstanding professional lens features a nanocrystalline coating that reduces the effects of phantom images and glare and provides sharpness at the edges that can exceed that of equivalent fixed focal length lenses.

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[myfood-yourfood]

Types of lenses for landscape photography

Canon Lenses for Landscapes Photography:

In order to get high-quality pictures for your Colorado landscape photography, you need to get the best cameras for landscape photography, that fits you, here are some options:

Canon EF-S 10-22mm f / 3.5-4.5 USMCanon EF-S 10-22mm f3.5-4.5 USMAn ultra-wide-angle zoom with dynamic expressive capability for all EOS cameras with EF-S mounts; exceptionally small and lightweight for maximum mobility.

Canon EF 24-105mm f / 4 L IS USMCanon EF 24-105mm f4 L IS USMWhen maneuverability is important and the quality of the lens is crucial, the EF 24-105mm f / 4 L IS USM series lens L stands out as a professional light standard objective.

Canon EF 24-70mm f / 4 L IS USMCanon EF 24-70mm f4 L IS USM A versatile L-series lens of 24-70 mm f / 4 with macro mode for magnification up to 0.7x. Ultrasonic AF provides a fast and almost silent focus. Aspherical and UD elements offer exceptional image quality.

Canon EF 17-40mm f / 4.0 L USM Canon EF 17-40mm f4.0 L USM The EF 17-40 mm f / 4 L USM model is an ultra-wide-angle Canon EF zoom lens. It is especially recommended for use with digital EOS SLR cameras with a conversion factor of focal length greater than 1.

Canon EF 70-200mm f / 4 L IS USM Canon EF 70-200mm f4 L IS USM High performance zoom telephoto lens. The EF 70-200 mm 1: 4 L USM offers excellent image quality in a variety of situations. Its compact and lightweight design make it the perfect travel companion.

Canon EF 24mm f / 1.4 L II USMCanon EF 24mm f1.4 L II USM The new EF 24mm f / 1.4L II is a high-performance angular lens, which thanks to its maximum aperture f / 1.4 and its UD elements and Aspherical, it offers exceptional image quality.

Nikon Lenses for landscape photography:

Nikon 18-200mm f / 3.5-5.6 G ED-IF AF-S VR DXNikon 18-200mm f3.5-5.6 G ED-IF AF-S VR DX Objective zoom 11.1 magnification of DX-format very versatile and use extended. Equipped with the Nikon Vibration Reduction (VR II) system and the exclusive Silent Wave Motor (SWM), it offers unbeatable performance in low light and provides stable images both in the viewfinder and in the viewfinder. sensor; It also has a fast and silent autofocus.

NIKKOR 24mm f / 1.4G EDNIKKOR 24mm f1.4G EDO wide-angle lens NIKKOR, leader in its class, with ultrafast diaphragm. The superior optical design provides images of extraordinary sharpness, even in low light, and incorporates a Nikon nanocrystalline coating that greatly reduces ghost images and glare.

NIKKOR 16-35mm f / 4G ED VRNIKKOR 16-35mm f4G ED Ultra-wide-angle zoom lens from NIKKOR, designed for use with Nikon FX-format SLR cameras. The world's first ultra-wide-angle lens that includes vibration reduction and offers stunningly stable images on both the sensor and the viewfinder. The superior optical design offers extraordinary performance and provides excellent resolution and contrast in various conditions.

NIKKOR 14-24mm f / 2.8G EDNIKKOR 14-24mm f2.8 Extreme wide-angle lens with a revolutionary optical design. This outstanding professional lens features a nanocrystalline coating that reduces the effects of phantom images and glare and provides sharpness at the edges that can exceed that of equivalent fixed focal length lenses.

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[marketingfood]

Types of lenses for landscape photography

Canon Lenses for Landscapes Photography:

In order to get high-quality pictures for your Colorado landscape photography, you need to get the best cameras for landscape photography, that fits you, here are some options:

Canon EF-S 10-22mm f / 3.5-4.5 USMCanon EF-S 10-22mm f3.5-4.5 USMAn ultra-wide-angle zoom with dynamic expressive capability for all EOS cameras with EF-S mounts; exceptionally small and lightweight for maximum mobility.

Canon EF 24-105mm f / 4 L IS USMCanon EF 24-105mm f4 L IS USMWhen maneuverability is important and the quality of the lens is crucial, the EF 24-105mm f / 4 L IS USM series lens L stands out as a professional light standard objective.

Canon EF 24-70mm f / 4 L IS USMCanon EF 24-70mm f4 L IS USM A versatile L-series lens of 24-70 mm f / 4 with macro mode for magnification up to 0.7x. Ultrasonic AF provides a fast and almost silent focus. Aspherical and UD elements offer exceptional image quality.

Canon EF 17-40mm f / 4.0 L USM Canon EF 17-40mm f4.0 L USM The EF 17-40 mm f / 4 L USM model is an ultra-wide-angle Canon EF zoom lens. It is especially recommended for use with digital EOS SLR cameras with a conversion factor of focal length greater than 1.

Canon EF 70-200mm f / 4 L IS USM Canon EF 70-200mm f4 L IS USM High performance zoom telephoto lens. The EF 70-200 mm 1: 4 L USM offers excellent image quality in a variety of situations. Its compact and lightweight design make it the perfect travel companion.

Canon EF 24mm f / 1.4 L II USMCanon EF 24mm f1.4 L II USM The new EF 24mm f / 1.4L II is a high-performance angular lens, which thanks to its maximum aperture f / 1.4 and its UD elements and Aspherical, it offers exceptional image quality.

Nikon Lenses for landscape photography:

Nikon 18-200mm f / 3.5-5.6 G ED-IF AF-S VR DXNikon 18-200mm f3.5-5.6 G ED-IF AF-S VR DX Objective zoom 11.1 magnification of DX-format very versatile and use extended. Equipped with the Nikon Vibration Reduction (VR II) system and the exclusive Silent Wave Motor (SWM), it offers unbeatable performance in low light and provides stable images both in the viewfinder and in the viewfinder. sensor; It also has a fast and silent autofocus.

NIKKOR 24mm f / 1.4G EDNIKKOR 24mm f1.4G EDO wide-angle lens NIKKOR, leader in its class, with ultrafast diaphragm. The superior optical design provides images of extraordinary sharpness, even in low light, and incorporates a Nikon nanocrystalline coating that greatly reduces ghost images and glare.

NIKKOR 16-35mm f / 4G ED VRNIKKOR 16-35mm f4G ED Ultra-wide-angle zoom lens from NIKKOR, designed for use with Nikon FX-format SLR cameras. The world's first ultra-wide-angle lens that includes vibration reduction and offers stunningly stable images on both the sensor and the viewfinder. The superior optical design offers extraordinary performance and provides excellent resolution and contrast in various conditions.

NIKKOR 14-24mm f / 2.8G EDNIKKOR 14-24mm f2.8 Extreme wide-angle lens with a revolutionary optical design. This outstanding professional lens features a nanocrystalline coating that reduces the effects of phantom images and glare and provides sharpness at the edges that can exceed that of equivalent fixed focal length lenses.

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[foodncompany]

Types of lenses for landscape photography

Canon Lenses for Landscapes Photography:

In order to get high-quality pictures for your Colorado landscape photography, you need to get the best cameras for landscape photography, that fits you, here are some options:

Canon EF-S 10-22mm f / 3.5-4.5 USMCanon EF-S 10-22mm f3.5-4.5 USMAn ultra-wide-angle zoom with dynamic expressive capability for all EOS cameras with EF-S mounts; exceptionally small and lightweight for maximum mobility.

Canon EF 24-105mm f / 4 L IS USMCanon EF 24-105mm f4 L IS USMWhen maneuverability is important and the quality of the lens is crucial, the EF 24-105mm f / 4 L IS USM series lens L stands out as a professional light standard objective.

Canon EF 24-70mm f / 4 L IS USMCanon EF 24-70mm f4 L IS USM A versatile L-series lens of 24-70 mm f / 4 with macro mode for magnification up to 0.7x. Ultrasonic AF provides a fast and almost silent focus. Aspherical and UD elements offer exceptional image quality.

Canon EF 17-40mm f / 4.0 L USM Canon EF 17-40mm f4.0 L USM The EF 17-40 mm f / 4 L USM model is an ultra-wide-angle Canon EF zoom lens. It is especially recommended for use with digital EOS SLR cameras with a conversion factor of focal length greater than 1.

Canon EF 70-200mm f / 4 L IS USM Canon EF 70-200mm f4 L IS USM High performance zoom telephoto lens. The EF 70-200 mm 1: 4 L USM offers excellent image quality in a variety of situations. Its compact and lightweight design make it the perfect travel companion.

Canon EF 24mm f / 1.4 L II USMCanon EF 24mm f1.4 L II USM The new EF 24mm f / 1.4L II is a high-performance angular lens, which thanks to its maximum aperture f / 1.4 and its UD elements and Aspherical, it offers exceptional image quality.

Nikon Lenses for landscape photography:

Nikon 18-200mm f / 3.5-5.6 G ED-IF AF-S VR DXNikon 18-200mm f3.5-5.6 G ED-IF AF-S VR DX Objective zoom 11.1 magnification of DX-format very versatile and use extended. Equipped with the Nikon Vibration Reduction (VR II) system and the exclusive Silent Wave Motor (SWM), it offers unbeatable performance in low light and provides stable images both in the viewfinder and in the viewfinder. sensor; It also has a fast and silent autofocus.

NIKKOR 24mm f / 1.4G EDNIKKOR 24mm f1.4G EDO wide-angle lens NIKKOR, leader in its class, with ultrafast diaphragm. The superior optical design provides images of extraordinary sharpness, even in low light, and incorporates a Nikon nanocrystalline coating that greatly reduces ghost images and glare.

NIKKOR 16-35mm f / 4G ED VRNIKKOR 16-35mm f4G ED Ultra-wide-angle zoom lens from NIKKOR, designed for use with Nikon FX-format SLR cameras. The world's first ultra-wide-angle lens that includes vibration reduction and offers stunningly stable images on both the sensor and the viewfinder. The superior optical design offers extraordinary performance and provides excellent resolution and contrast in various conditions.

NIKKOR 14-24mm f / 2.8G EDNIKKOR 14-24mm f2.8 Extreme wide-angle lens with a revolutionary optical design. This outstanding professional lens features a nanocrystalline coating that reduces the effects of phantom images and glare and provides sharpness at the edges that can exceed that of equivalent fixed focal length lenses.

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[doorstrike-devices]

Types of lenses for landscape photography

Canon Lenses for Landscapes Photography:

In order to get high-quality pictures for your Colorado landscape photography, you need to get the best cameras for landscape photography, that fits you, here are some options:

Canon EF-S 10-22mm f / 3.5-4.5 USMCanon EF-S 10-22mm f3.5-4.5 USMAn ultra-wide-angle zoom with dynamic expressive capability for all EOS cameras with EF-S mounts; exceptionally small and lightweight for maximum mobility.

Canon EF 24-105mm f / 4 L IS USMCanon EF 24-105mm f4 L IS USMWhen maneuverability is important and the quality of the lens is crucial, the EF 24-105mm f / 4 L IS USM series lens L stands out as a professional light standard objective.

Canon EF 24-70mm f / 4 L IS USMCanon EF 24-70mm f4 L IS USM A versatile L-series lens of 24-70 mm f / 4 with macro mode for magnification up to 0.7x. Ultrasonic AF provides a fast and almost silent focus. Aspherical and UD elements offer exceptional image quality.

Canon EF 17-40mm f / 4.0 L USM Canon EF 17-40mm f4.0 L USM The EF 17-40 mm f / 4 L USM model is an ultra-wide-angle Canon EF zoom lens. It is especially recommended for use with digital EOS SLR cameras with a conversion factor of focal length greater than 1.

Canon EF 70-200mm f / 4 L IS USM Canon EF 70-200mm f4 L IS USM High performance zoom telephoto lens. The EF 70-200 mm 1: 4 L USM offers excellent image quality in a variety of situations. Its compact and lightweight design make it the perfect travel companion.

Canon EF 24mm f / 1.4 L II USMCanon EF 24mm f1.4 L II USM The new EF 24mm f / 1.4L II is a high-performance angular lens, which thanks to its maximum aperture f / 1.4 and its UD elements and Aspherical, it offers exceptional image quality.

Nikon Lenses for landscape photography:

Nikon 18-200mm f / 3.5-5.6 G ED-IF AF-S VR DXNikon 18-200mm f3.5-5.6 G ED-IF AF-S VR DX Objective zoom 11.1 magnification of DX-format very versatile and use extended. Equipped with the Nikon Vibration Reduction (VR II) system and the exclusive Silent Wave Motor (SWM), it offers unbeatable performance in low light and provides stable images both in the viewfinder and in the viewfinder. sensor; It also has a fast and silent autofocus.

NIKKOR 24mm f / 1.4G EDNIKKOR 24mm f1.4G EDO wide-angle lens NIKKOR, leader in its class, with ultrafast diaphragm. The superior optical design provides images of extraordinary sharpness, even in low light, and incorporates a Nikon nanocrystalline coating that greatly reduces ghost images and glare.

NIKKOR 16-35mm f / 4G ED VRNIKKOR 16-35mm f4G ED Ultra-wide-angle zoom lens from NIKKOR, designed for use with Nikon FX-format SLR cameras. The world's first ultra-wide-angle lens that includes vibration reduction and offers stunningly stable images on both the sensor and the viewfinder. The superior optical design offers extraordinary performance and provides excellent resolution and contrast in various conditions.

NIKKOR 14-24mm f / 2.8G EDNIKKOR 14-24mm f2.8 Extreme wide-angle lens with a revolutionary optical design. This outstanding professional lens features a nanocrystalline coating that reduces the effects of phantom images and glare and provides sharpness at the edges that can exceed that of equivalent fixed focal length lenses.

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[emergency-light]

Types of lenses for landscape photography

Canon Lenses for Landscapes Photography:

In order to get high-quality pictures for your Colorado landscape photography, you need to get the best cameras for landscape photography, that fits you, here are some options:

Canon EF-S 10-22mm f / 3.5-4.5 USMCanon EF-S 10-22mm f3.5-4.5 USMAn ultra-wide-angle zoom with dynamic expressive capability for all EOS cameras with EF-S mounts; exceptionally small and lightweight for maximum mobility.

Canon EF 24-105mm f / 4 L IS USMCanon EF 24-105mm f4 L IS USMWhen maneuverability is important and the quality of the lens is crucial, the EF 24-105mm f / 4 L IS USM series lens L stands out as a professional light standard objective.

Canon EF 24-70mm f / 4 L IS USMCanon EF 24-70mm f4 L IS USM A versatile L-series lens of 24-70 mm f / 4 with macro mode for magnification up to 0.7x. Ultrasonic AF provides a fast and almost silent focus. Aspherical and UD elements offer exceptional image quality.

Canon EF 17-40mm f / 4.0 L USM Canon EF 17-40mm f4.0 L USM The EF 17-40 mm f / 4 L USM model is an ultra-wide-angle Canon EF zoom lens. It is especially recommended for use with digital EOS SLR cameras with a conversion factor of focal length greater than 1.

Canon EF 70-200mm f / 4 L IS USM Canon EF 70-200mm f4 L IS USM High performance zoom telephoto lens. The EF 70-200 mm 1: 4 L USM offers excellent image quality in a variety of situations. Its compact and lightweight design make it the perfect travel companion.

Canon EF 24mm f / 1.4 L II USMCanon EF 24mm f1.4 L II USM The new EF 24mm f / 1.4L II is a high-performance angular lens, which thanks to its maximum aperture f / 1.4 and its UD elements and Aspherical, it offers exceptional image quality.

Nikon Lenses for landscape photography:

Nikon 18-200mm f / 3.5-5.6 G ED-IF AF-S VR DXNikon 18-200mm f3.5-5.6 G ED-IF AF-S VR DX Objective zoom 11.1 magnification of DX-format very versatile and use extended. Equipped with the Nikon Vibration Reduction (VR II) system and the exclusive Silent Wave Motor (SWM), it offers unbeatable performance in low light and provides stable images both in the viewfinder and in the viewfinder. sensor; It also has a fast and silent autofocus.

NIKKOR 24mm f / 1.4G EDNIKKOR 24mm f1.4G EDO wide-angle lens NIKKOR, leader in its class, with ultrafast diaphragm. The superior optical design provides images of extraordinary sharpness, even in low light, and incorporates a Nikon nanocrystalline coating that greatly reduces ghost images and glare.

NIKKOR 16-35mm f / 4G ED VRNIKKOR 16-35mm f4G ED Ultra-wide-angle zoom lens from NIKKOR, designed for use with Nikon FX-format SLR cameras. The world's first ultra-wide-angle lens that includes vibration reduction and offers stunningly stable images on both the sensor and the viewfinder. The superior optical design offers extraordinary performance and provides excellent resolution and contrast in various conditions.

NIKKOR 14-24mm f / 2.8G EDNIKKOR 14-24mm f2.8 Extreme wide-angle lens with a revolutionary optical design. This outstanding professional lens features a nanocrystalline coating that reduces the effects of phantom images and glare and provides sharpness at the edges that can exceed that of equivalent fixed focal length lenses.

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[eating-anddancing]

Types of lenses for landscape photography

Canon Lenses for Landscapes Photography:

In order to get high-quality pictures for your Colorado landscape photography, you need to get the best cameras for landscape photography, that fits you, here are some options:

Canon EF-S 10-22mm f / 3.5-4.5 USMCanon EF-S 10-22mm f3.5-4.5 USMAn ultra-wide-angle zoom with dynamic expressive capability for all EOS cameras with EF-S mounts; exceptionally small and lightweight for maximum mobility.

Canon EF 24-105mm f / 4 L IS USMCanon EF 24-105mm f4 L IS USMWhen maneuverability is important and the quality of the lens is crucial, the EF 24-105mm f / 4 L IS USM series lens L stands out as a professional light standard objective.

Canon EF 24-70mm f / 4 L IS USMCanon EF 24-70mm f4 L IS USM A versatile L-series lens of 24-70 mm f / 4 with macro mode for magnification up to 0.7x. Ultrasonic AF provides a fast and almost silent focus. Aspherical and UD elements offer exceptional image quality.

Canon EF 17-40mm f / 4.0 L USM Canon EF 17-40mm f4.0 L USM The EF 17-40 mm f / 4 L USM model is an ultra-wide-angle Canon EF zoom lens. It is especially recommended for use with digital EOS SLR cameras with a conversion factor of focal length greater than 1.

Canon EF 70-200mm f / 4 L IS USM Canon EF 70-200mm f4 L IS USM High performance zoom telephoto lens. The EF 70-200 mm 1: 4 L USM offers excellent image quality in a variety of situations. Its compact and lightweight design make it the perfect travel companion.

Canon EF 24mm f / 1.4 L II USMCanon EF 24mm f1.4 L II USM The new EF 24mm f / 1.4L II is a high-performance angular lens, which thanks to its maximum aperture f / 1.4 and its UD elements and Aspherical, it offers exceptional image quality.

Nikon Lenses for landscape photography:

Nikon 18-200mm f / 3.5-5.6 G ED-IF AF-S VR DXNikon 18-200mm f3.5-5.6 G ED-IF AF-S VR DX Objective zoom 11.1 magnification of DX-format very versatile and use extended. Equipped with the Nikon Vibration Reduction (VR II) system and the exclusive Silent Wave Motor (SWM), it offers unbeatable performance in low light and provides stable images both in the viewfinder and in the viewfinder. sensor; It also has a fast and silent autofocus.

NIKKOR 24mm f / 1.4G EDNIKKOR 24mm f1.4G EDO wide-angle lens NIKKOR, leader in its class, with ultrafast diaphragm. The superior optical design provides images of extraordinary sharpness, even in low light, and incorporates a Nikon nanocrystalline coating that greatly reduces ghost images and glare.

NIKKOR 16-35mm f / 4G ED VRNIKKOR 16-35mm f4G ED Ultra-wide-angle zoom lens from NIKKOR, designed for use with Nikon FX-format SLR cameras. The world's first ultra-wide-angle lens that includes vibration reduction and offers stunningly stable images on both the sensor and the viewfinder. The superior optical design offers extraordinary performance and provides excellent resolution and contrast in various conditions.

NIKKOR 14-24mm f / 2.8G EDNIKKOR 14-24mm f2.8 Extreme wide-angle lens with a revolutionary optical design. This outstanding professional lens features a nanocrystalline coating that reduces the effects of phantom images and glare and provides sharpness at the edges that can exceed that of equivalent fixed focal length lenses.

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